MAKING an International Conference on Materiality and Knowledge

Presented a conference paper at the MAKING Conference in September 2012. Title of paper is called "Maki-e the Sprinkling of a Magical History: Making in the new world".

Abstract

Maki-e the Sprinkling of a Magical History: Making in the new world

Japanese lacquer encompasses a combination of the dexterity of the hand, the imagination to tell a story and a maximum perspective on materiality. For the last few years my interest in Japanese lacquer and Maki-e has been the core for the development of the jewellery and objects formed in my practice. The application of lacquer in my studio practice has intrigued further pursuit in both the hand skills development and material diligence. Maki-e is a decorative Japanese lacquering technique that is comprised of a painted surface detailed with gold or silver powders. It is one of the many techniques that fall under the umbrella of Japanese lacquer. Lacquer is a material language with a history expanding over 6000 years across the Asian continent. It is a unique paint that requires the science and knowledge of material, hand dexterity, and patience. In early 2009, I arranged for a cultural visa to undertake a professional two year residency with lacquer master Kitamura Tatsuo of Kitamura Kobo in Japan. Firstly this paper will discuss the traditions of studio lacquer techniques studied at the professional craftsman level, from an insight of a maker of contemporary wearable objects. Secondly it will address how this ancient craft has influenced the personal studio work for new translation. Finally, it will discuss the role of the maker, working alongside traditional techniques and processes outside its natural realm. Challenging what the medium’s potential possibilities are in different environmental circumstances and landscapes and thus engaging the old for new interpretation and revitalisation.